
Frost Summer Experience
Instrumental Intensive Faculty

Scott Flavin: Violin Private Lessons, Chamber Coaching, Orchestra and String Ensemble Conductor, Workshops in Peak Performance
Scott Flavin, professor of violin and conducting at the Frost School of Music, enjoys an incredibly versatile career, as a conductor, violinist, composer, writer, and pedagogue. As a conductor, he holds several important positions, including the newly-appointed Resident Conductor of the Symphony of the Americas, as well as Resident Conductor of The Henry Mancini Institute Orchestra. He is conducting artist faculty at the Eastern Music Festival and also the founding conductor of the Camerata Orchestra in Grand Cayman, Cayman Islands. He has conducted for various festivals, and the nationally- broadcast “Jazz and the Philharmonic” for PBS television, as well as recordings and performances for a wide variety of notable artists, from Joseph Silverstein to the Beach.

Margaret Donaghue: Clarinet Private Lessons, Chamber Music Coaching, Clarinet Summer Academy (week 2)
Margaret Donaghue Flavin is associate professor, director of the woodwind program at the Frost School of Music. Dr. Donaghue has performed as chamber musician and soloist in more than a dozen countries across three continents. She has performed in major venues around the world, including Carnegie Hall, Symphony Space, American Cathedral in Paris, St Martin-in-the-Fields, and The American Academy in Rome. Chamber music recital venues include Paris, London, Rome, Boston, New York City, Honolulu, and Grand Cayman, as well others across the US, Europe and Japan. Dr. Donaghue has appeared as soloist with the Shanghai Broadcast Symphony and the Shen Zhen Symphony, Shen Zhen, China, as well as the Russe State Philharmonic, Russe, Bulgaria.

Naoko Takao, Chair of the Keyboard Department at the Frost School of Music: Workshop for Pianists on July 16th
A prizewinner of numerous competitions including the gold medal at the San Antonio International Piano Competition, Takao enjoys a multi-faceted career as a soloist, chamber musician, a pedagogue, and a researcher. Recent engagements include: an all-Beethoven solo recital under the auspices of the SAIPC and San Antonio Symphony, concerto appearances (Mozart’s K. 459, 503, and Gershwin’s Rhapsody in Blue), and teaching at the Vianden Music Festival (Luxembourg). She has appeared at prestigious venues such as the Kennedy Center Terrace Theater, Weill Recital Hall, Coolidge Auditorium at the Library of Congress, Lensic Performing Arts Center (Santa Fe), Caramoor, Le Domaine Forget (Canada), and Taipei National Concert Hall. While known for her affinity to works by Beethoven, Chopin, and Rachmaninov, Takao is equally sought after as an enthusiastic advocate of newly composed music, and has premiered many works to high acclaim at organizations such as the Society of Composers and International Alliance for Women in Music. Her 2015 release of the complete 12 piano sonatas by Vincent Persichetti is followed by another album of his chamber music. The latter includes the world-premiere of Concertato for Piano and String Quartet, Op. 12, based on a manuscript discovered during her recent research at the New York Public Library. She can be heard on Capstone, Centaur, Dorian, Elan, and Friends of Smithsonian labels.

Oliver Diez: Instrumental Techniques, Wind Ensemble, Chamber Music Coaching
Oliver Diez was born and raised in Miami, FL. He earned his Bachelors and Master's Degrees in Music Education from Florida International University. He is currently in his 26th year at Palmetto Elementary where he teaches General Music to students in grades K-5 and is also director of bands and chorus. In 1999 he was voted as Palmetto Elementary's "Rookie Teacher of the Year" and in 2002 as "Teacher of the Year". In 2019 he was selected as the 2020 Miami-Dade County Public Schools District Teacher of the year. Mr. Diez has been nominated twice for the "Grammy Music Educator Award" and has been a "Who's Who in Education" nominee. He directed the Superintendent's Honors Recorder Ensemble in 2007 and 2018. He also received a proclamation on June 7th, 2011 by the mayor of Pinecrest declaring that date "Oliver Diez Day". In October of 2021 he received the Key to the City of Miami from Mayor Francis Suarez.

Katarzyna Cieslik: Instrumental Techniques, Chamber Music Coaching
Katarzyna Cieslik earned her Master’s Degree in Violin Performance and Pedagogy from the Chopin University of Music in Poland. For two decades, she was a violinist with the acclaimed Podlasie Philharmonic Orchestra, performing extensively across the globe from the U.K. to Russia, the U.S. (notably at Carnegie Hall), and China. As an orchestral musician, she collaborated with renowned composers and conductors such as Witold Lutosławski, Stanisław Skrowaczewski, and Krzysztof Penderecki.
Since relocating to the U.S. in 2015, Ms. Cieslik has combined her extensive orchestral experience with a deep passion for nurturing young musicians. She has taught at several music institutions, including the Miami Fine Arts Academy, Superior Academy of Music, the Community Arts Program, and Miami Music Project. She has served as Associate Conductor of Strings at Miami Arts Charter School and recently started directing the string ensemble at True North Academy.
She has been employed at the Frost Preparatory Department since 2017, where she has been engaged not only as violin instructor, but also as coach for the Advanced String Chamber Program, as well as founder and director of the String Ensemble at the Prep (STEP), providing students with orchestral training and regular performance opportunities across Miami. As a certified instructor of the Royal Conservatory of Music program and the Music Mind Games method, she regularly prepares her students for the RCM exams, where many of her students have received special recognition.

Redi Lupa: Instrumental Techniques, Piano Duet, Chamber Music Coaching
Albanian-born pianist Redi Llupa has distinguished himself by performing in prestigious venues in Europe, North and South America, and Asia. An avid advocate of contemporary repertoire, Llupa continuously collaborates with and performs music by living composers and has been the dedicatee of works by Aleksandër Peçi, Ermir Bejo, and Joseph Klein. Since 2015, he worked closely with Pulitzer Prize winning composer George Walker, becoming the first pianist to give the premiere performance of Walker’s complete piano sonatas in 2017. Dr. Llupa has appeared in various festivals including Festival Baltimore at UMBC, PIANODROM International Festival in Tirana, ReMusica International Festival in Pristina, James Madison Contemporary Music Festival in Virginia, and New Century New Voices in Vermont. Dr. Llupa has received guidance from phenomenal teachers over the years, including Nadjezhda Porodini, Alberto Miodini, Max Levinson, Menahem Pressler, and Santiago Rodriguez. Recent performances of note include the April 2024 concert with the National Radio-Television Orchestra of Albania, performing a monumental concerto by Albanian composer, Feim Ibrahimi, in collaboration with conductor Kanako Abe, and the world premiere of Joseph Klein’s Pathways IV: Rhymes and Spirals with Frost’s own Ensemble Ibis and conductor Shawn Crouch in April 2025.

Patrick Clifford: Instrumental Techniques, Chamber Music Coaching
A native of Michigan, Mr. Clifford began his violin studies at age six. Many of his formative years were spent studying at the University of Michigan School of Music with Robert Culver. His summer studies include Interlochen International Music Camp, Meadowmount School, and Encore School for Strings. He received his Bachelor of Music degree in violin performance from the Cleveland Institute of Music, and his Master of Music degree in violin performance from the University of Miami. His teachers include Daniel Majeske, Stephen Majeske, David Cerone, David Updegraff and Glenn Basham. Patrick was principal second violin with the National Chamber Players, and has performed with the North Carolina Symphony, the Knoxville Symphony, the Florida Grand Opera Orchestra, Miami City Ballet Orchestra and the Naples Philharmonic. His performing and teaching have taken him throughout the United States, South and Central America and China. He is currently assistant professor of violin and viola at Palm Beach Atlantic University, where his position includes being first violinist in Quartetto Stringendo, the quartet-in-residence at the university, the founder/director of the Preparatory Department, founder/director of Stringendo School For Strings and the concertmaster of the Palm Beach Atlantic Symphony. As a pedagogue, Mr. Clifford has been teaching privately for thirty years and teaching full time at the university level since 2000. In 2000 he founded the Stringendo School for Strings, a school of music that seeks to develop exceptional string players from ages 3 through 18. Mr. Clifford is the author of the Stringendo School for Strings Method, a method which emphasizes knowing all aspects of violin playing for the purpose of mastering the instrument. His students are frequent competition winners and many hold leadership positions in their respective orchestras. Mr. Clifford is a frequent clinician at conferences, judge for competitions, and has given master-classes and string sectionals throughout the United States, South America and China. Mr. Clifford was secretary for the Florida chapter of the American String Teachers Association from 2002 to 2004. In 2003 he initiated and instituted the American String Teachers Association Certificate Program in the state of Florida. In 2015 Mr. Clifford joined the faculty of The King’s Academy Conservatory of the Arts as the director of the strings and orchestral program. Mr. Clifford performs on a violin previously in the collection of Mischa Mischakoff bearing the name Matteo Goffriller 1720. He currently resides in Lantana, Florida with his wife Belen and their two children Nathan and Joanna.

Beiyao Ji: Piano Duet
Originally from Sichuan, China, Beiyao is recognized for his artistry and technical brilliance. A winner of competitions such as the Hong Kong–Asia Open Piano Competition, Torrance Symphony Orchestra Competition, and Brentwood-Westwood Symphony Orchestra Competition, he has established himself as a compelling soloist and collaborator on the international stage.
Beiyao has performed across Asia, Europe, and North America, captivating audiences with his expressive interpretations. He has appeared with esteemed ensembles, including The Colburn Orchestra under Miguel Harth-Bedoya, the Brentwood-Westwood Symphony Orchestra, and the Torrance Symphony Orchestra.
Beyond his solo career, Beiyao thrives in collaborative settings. He founded the piano trio NOA during his studies at the Cleveland Institute of Music, leading to invitations from the Detroit Chamber Music Society for performances and lectures. His chamber music achievements include winning first prize at the Milhaud Competition alongside clarinetist Jaewon Kim.

Evgenia Mott: Instrumental Techniques, Chamber Music Coaching
Evgenia Mott is an accomplished cellist and dedicated music educator with extensive experience in both performance and teaching. Since February 2024, she has been passionately teaching the Suzuki method, fostering a love of music in young cellists. The Cello program at Frost Preparatory in the University of Miami has flourished under her guidance, reflecting her commitment to high-quality musical education.
With a Master of Music in Performance and Teaching from Nizhny Novgorod State Glinka Conservatory, Russia. Evgenia’s educational background is both prestigious and comprehensive.
Evgenia’s teaching career is marked by a rich array of experiences. She has served as the Associate Instrumental Music Conductor at Miami Arts Charter School and has been a contractual music teacher for various elementary schools in the Miami area. Additionally, she has been a Cello Instructor and String Ensemble Teaching Artist with the Miami Music Project, teaching at multiple elementary schools and providing private cello lessons since 2018.
Her performance credentials are equally impressive. Evgenia is the Acting Principal Cello with the Miami Symphony Orchestra.
Outside of her professional life, Evgenia enjoys a fulfilling family life with her beautiful family, including her two young children, aged 5 and 2. She brings the same passion and dedication to her family as she does to her teaching and performance, making her a well-rounded and inspiring figure in the music community.
Evgenia Mott’s commitment to music education and performance, combined with her nurturing approach to teaching, makes her a valued member of the Suzuki America Association and a beloved cello teacher at Frost Preparatory in the University of Miami.

Instrumental Intensive: Orchestra and Chamber
July 6 - 17, 2026
The Instrumental Intensive at Frost Summer Experience is a two-week immersion into the world of classical music, offering high school musicians a chance to hone their skills and grow alongside talented peers. Students will be guided by Frost faculty, including Prof. Scott Flavin and Prof. Maragret Donaghue, as well as accomplished alumni and high-profile professionals in the fields of performance and education. Campers engage in enriching chamber music sessions, ensemble rehearsals, instrumental technique classes, and orchestra performances that foster both individual artistry and teamwork.
Beyond performance, students gain insight into the music industry with workshops in music business and musicianship, peak performance and performance anxiety, as well as audition preparation giving them a well-rounded foundation for a future in music. This unique program combines hands-on learning, expert mentorship, and collaborative creativity for a summer of unparalleled musical growth.
Register today and submit a placement video audition* introducing yourself and performing one composition of your choice so we can get to know you better!
*Please note: Those interested in auditioning for the special Chamber Intensive portion of the program will need to submit an additional composition, so two works in total.
Meet the Program Director

Inesa Gegprifti
Albanian-born pianist Inesa Gegprifti enjoys a varied musical life as a performer, teacher, and coordinator of artistic events. She is an avid lover of chamber music and has appeared at Festival Baltimore, Vivace Vilnius Festival, and Portogruaro Festival, as well as with the National Radio Television Orchestra of Albania and Indian Hill Orchestra. She has been a guest speaker at the University of North Texas, Metropolitan State University of Denver, Conservatorio de Música de Puerto Rico, and Heidelberg University.
Dr. Gegprifti is a graduate of the United World College of the Adriatic, The Boston Conservatory at Berklee, Jacobs School of Music - Indiana University, and Frost School of Music - University of Miami. Her mentors over the years have included Valbona Kasaj, Max Levinson, Alberto Miodini, Igor Cognolato, Trio di Trieste, Evelyne Brancart, Santiago Rodriguez, and Naoko Takao.
After her doctoral studies at Frost, Dr. Gegprifti made Miami her home, where she resides with her husband, pianist Redi Llupa. Together they form Duo Spektra, an ensemble that aims to promote music by Albanian composers among others. In 2022-23, Duo Spektra gave two U.S. premieres and collaborated with Dranoff 2 Piano Foundation in their most recent Piano Slam production. Dr. Gegprifti is on the faculty of the Frost Preparatory Program. She is a program coordinator at the Frost Summer Experience, and an adjunct faculty member for the Keyboard Department at Frost School, where she also enjoys performing with Frost Chamber Players. Since 2021, she has also served as the program coordinator of the Frost Chopin Festival with artistic director, Kevin Kenner.
Video Audition Requirements:
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Make sure that your chosen angle shows your entire body including a full view of your instrument (or keyboard and pedals in the case of pianists)
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Be sure to have a quiet space when recording.
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Image orientation should be in landscape.
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Upload your video to your Acceptd Application.
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Include your name, age, program you are auditioning for, and chosen repertoire in the video.
All applicants should submit a placement audition video containing the performance of one work of their choice. Those interested in being considered for the Chamber Intensive program, where campers receive individual chamber coaching, must also submit the following requirements (by instrument):
Piano:
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Scales and Arpeggios: 4 octaves, hands together - D, B, and B-flat major; in 8th notes, quarter note = 96 and up.
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A movement of a Classical sonata or concerto (unless your first chosen work is from the classical era, then your choice here should be contrasting in style, so any work from the Baroque, Romantic, Modern era)
Violin:
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Scales and Arpeggios: choose three of the following: C, G, D, A, F, Bb, Eb - 3 octaves, in 8th notes, quarter = 60-80
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A work contrasting with your other choice, including etudes, movements of partitas, sonatas, concerti, character pieces, etc. (it can also be an orchestral excerpt)
Viola:
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Scales and Arpeggios: choose three of the following: C, G, D, A, F, Bb, Eb - 3 octaves, in 8th notes, quarter = 60-80
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A work contrasting with your other choice, including etudes, movements of partitas, sonatas, concerti, character pieces, etc. (it can also be an orchestral excerpt)
Cello:
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Scales and Arpeggios: choose three of the following: C, G, D, A, F, Bb, Eb - 3 octaves, in 8th notes, quarter = 60-80
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A work contrasting with your other choice, including etudes, movements of partitas, sonatas, concerti, character pieces, etc. (it can also be an orchestral excerpt)
Double bass:
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Scales and Arpeggios: choose two of the following: C, D, Bb, Eb: 1 octave, in 8th notes, quarter = 60-80 || AND choose two of the following: G, F, A major: 2 octaves – no displacement.
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A work contrasting with your other choice, including etudes, movements of partitas, sonatas, concerti, character pieces, etc. (it can also be an orchestral excerpt)
Flute:
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Scales: Chromatic scale - 3 octaves from C & a 2-octave scale of your choice
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A work contrasting with your other choice, that showcases lyrical and/or technical playing, including etudes, sonatas, first movements of concerti (with or without piano accompaniment) - (it can also be an orchestral excerpt)
Clarinet:
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Scales: Chromatic scale - 3 octaves from E & a 2-octave scale of your choice
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A work contrasting with your other choice, that showcases lyrical and/or technical playing, including etudes, sonatas, first movements of concerti (with or without piano accompaniment) - (it can also be an orchestral excerpt)
Oboe:
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Scales and Arpeggios: your choice of a major key - 2 octaves (at least up to the F above the staff) & chromatic scale - 2 octaves starting from D
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A work contrasting with your other choice, that showcases lyrical and/or technical playing, including etudes, sonatas, first movements of concerti (with or without piano accompaniment) - (it can also be an orchestral excerpt)
Bassoon:
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Scales: Chromatic scale - 3 octaves from B-flat
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A work contrasting with your other choice, that showcases lyrical and/or technical playing, including etudes, sonatas, first movements of concerti (with or without piano accompaniment) - (it can also be an orchestral excerpt)
Trumpet:
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Scales: Chromatic scale - 2 octaves from G
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A work contrasting with your other choice, that showcases lyrical and technical playing, including etudes, sonatas, first movements of concerti (with or without piano accompaniment) - (it can also be an orchestral excerpt)
French Horn:
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Scales: Chromatic scale - 2 octaves from G
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A work contrasting with your other choice, that showcases lyrical and technical playing, including etudes, sonatas, first movements of concerti (with or without piano accompaniment) - (it can also be an orchestral excerpt)
Trombone:
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Scales: Chromatic scale - 2 octaves from F
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A work contrasting with your other choice, that showcases lyrical and technical playing, including etudes, sonatas by Bach, first movements of concerti (with or without piano accompaniment); orchestral excerpts are acceptable as well. (it can also be an orchestral excerpt)
Tuba:
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Scales: Chromatic scale - 2 octaves from F
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A work contrasting with your other choice, that showcases lyrical and technical playing, including etudes, sonatas, first movements of concerti (with or without piano accompaniment); orchestral excerpts are acceptable as well. (it can also be an orchestral excerpt)
Percussion:
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Mallet instruments: any scale of your choice & a solo composition or ensemble excerpt of your choice
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Timpani: any solo or ensemble excerpt of your choice
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9:00 - 10:05: Instrumental Techniques
10:15 - 11:20: Piano Workshop / String Ensemble / Wind Ensemble
11:30: Lunch
12:45 - 1:50: Chamber Music Intensive / Practice Sessions / Improv Sessions
2:00 - 3:20: Workshops: Music Business, Peak Performance, Audition Prep - All tracks joined (except on days when there will be a masterclass)
3:30 - 5:00: Orchestra / Piano Duet
2025 Program Tuition: TBA
Tuition includes program instruction and performance, daily lunch, and a program shirt. Program tuition does not include: on campus housing and commuter parking.
Note: Camp tuition does not include the initial application fee of $50.00.
On-campus summer housing will be available for non-local participants in the program.
Housing Check-in day: Sunday, July 5, 2026, from 3:00 pm to 5:00 pm.
Housing Check-out Day: Saturday, July 18, 2026, before 11:00 am.Cost for Program Housing: TBA
Housing cost includes: Double Room occupancy for 6 nights, dorm linen package (bed sheet, comforter, pillow, bath towel, and washcloth), all daily meals (breakfast/lunch/dinner) in our dorm dining hall.
Students electing to add housing will need to indicate it on the application when asked. More information will be posted on the website once the University Housing Office finalizes all logistics for the new summer sessions. Any questions should be directed to: frostsummerprograms@miami.edu.